Aaron Sorkin Didn’t Go Soft With ‘Steve Jobs’ Ending
Aaron Sorkinis a little bit of a softie.Moneyball,Studio 6o on Sunset Strip, andSteve Jobsaren’t without heartwarming moments. In fact, in the case of Sorkin’s latest, some audiences and critics have taken issue with how soft the film goes in the final minutes. But Sorkin defends the ending. Read his comments on the Steve Jobs ending after the jump. (Warning:spoilers forSteve Jobsahead.)
The screenwriter didn’t strip Steve Jobs (Michael Fassbender) of his complexity. The character is many, many things, including a prick. In the final minutes of the film, Jobs changes his tune. We see a warm and cuddly side of the character, which we hadn’t seen much of before. Is this change of heart earned?
While on theQ & Apodcast with Jeff Goldsmith (viaThe Film Stage), Sorkin explained what he was going for with the ending:
If he can change, even just a little bit — just the final scene with Lisa — which so many people… and I bet there are people here who have a problem with the last scene. The reason is you felt I betrayed the entire movie, that I went soft? I don’t think I went soft. It’s such a strong reaction that I’ve gotten so many places.
Steve Jobsis such an intricately structured, breathlessly paced drama that, even if you had a problem with the ending, there’s a lot to enjoy. But for some people, the ending took away from the experience. Sorkin shared one anecdote about a disappointed filmgoer:
Sorkin has a good idea for why some people don’t like the ending. The Maccabees song, “Grew Up At Midnight,” may have been a tad too much, but there’s more to it than that. He continued:
I don’t think it’s that scene that they’re reacting to. I think it’s the parking lot — ‘I’m going to put a thousand songs in your pocket’ — and we hear the Maccabees song and everything gets nice. Possibly, also, it doesn’t help that it appears that the filmmakers are giving Steve Jobs a standing ovation at the end of the film.
But to the screenwriter, there was no movie without that ending:
The story of the movie is, ‘Will Steve and his daughter get together?’ The fact that in real life they did find each other isn’t even the reason that I did it, although I like that it’s supportable by facts. I did it because I just don’t think there’s a movie if you don’t do it. I think that what you would have is a theater full of people saying, “Why did you make me sit here for two hours?”
There’s still a sense of sadness to those final scenes. Steve Jobs realizes he’s been missing the bigger picture — Lisa — for so many years. He comes to the same realization that Billy Beane does at the end ofMoneyball: it’s his daughter that’s most important, not his job. Unlike Beane, Jobs doesn’t have that epiphany until much later on his life.
